Finding himself in a new era, approaching retirement, Indy wrestles with fitting into a world that seems to have outgrown him. But as the tentacles of an all-too-familiar evil return in the form of an old rival, Indy must don his hat and pick up his whip once more to make sure an ancient and powerful artifact doesn’t fall into the wrong hands.

t’s the Mexican Day of the Dead, and little Chiqui misses his mama terribly! Two years ago, she left home in the middle of the night to journey to The Beyond, a phantasmagoric land of the dead, which hosts an annual talent show to crown the Greatest Singer Beyond the Beyond – and Chiqui’s mama, Julieta, is a luchadora with a dream, to become the most renowned singer ever! Determined to dance with his mama during her performance, young Chiqui sets out with his Papa Diego, the hulking luchador, to find The Beyond himself, and help put his familia back together!

As Rio de Janeiro took to the world stage with preparations for the 2014 FIFA World Cup and 2016 Summer Olympics, a community of self-described “urban Indians” organized to fight back against their forced evictions, joining forces with other marginalized groups. A familiar narrative has emerged as these roaming corporate sporting events descend upon metropolises, causing major disruption and corruption to local democracies while displacing the most vulnerable. The resistance continues to grow from country to country, diminishing the power of these conglomerates with activism, independent media coverage and the determination of locals to hold their ground. Spending six years following their plight, Jason O’Hara embedded himself within these communities, steadfastly committed to highlighting the injustices that abound. Now that the spotlight moves on to Russia and Japan for these events, it’s increasingly necessary to witness the battles fought so they don’t end in vain

In a contemporary adaptation of the Jane Austen classic, “Pride and Prejudice: Atlanta” follows Reverend Bennet (Reginald VelJohnson, “Family Matters”), a pastor of a prominent southern Baptist church and his wife Mrs. Bennet (Jackée Harry, “Sister, Sister”), who is the author of a self-help book on how to find the perfect husband. Needless to say, Mrs. Bennet is less than thrilled that all five of their daughters, Lizzie (Tiffany Hines, “Toni Braxton: Unbreak My Heart”), Jane (Raney Branch, “Being Mary Jane”), Mary (Brittney Level, “The Purge”), Lydia (Reginae Carter, “Growing Up Hip Hop: Atlanta”) and Kitty (“Alexia Bailey”), are still single. When the very eligible Will Darcy (Juan Antonio, “Empire”) arrives in town, Mrs. Bennet sets her sights on the handsome bachelor for daughter Lizzie, leading to a modern-day, comedic take on themes familiar to fans of the novel.

It is a Saturday in autumn, and Karin and Simon are visiting their parents and youngest sister Clara. This family gathering provides the occasion for a dinner together, at which other relatives appear over the course of the day. While the family members animate the apartment’s space with their conversations, everyday activities and cooking preparations, the cat and dog range through the various rooms. they too become a central element in this quotidian familial dance that repeatedly manifests stylized elements, disrupting any naturalistic mode of presentation. In this way, adjoining spaces open up between family drama, fairy tale and the psychological study of a mother.

Eternally cursed and mummified by the pharaoh for pursuing the love of his daughter, Hat-Em-Akhet, Hor-Shep-Sut lies in quiet slumber waiting for the day she will be reawakened. When Hor-Shep-Sut’s sarcophagus is found by Dr. Wallis Harwa and opened by Professor Carter Moore, the professor’s fiancée, Ana, immediately faints at the sight of the horrific, but somehow oddly familiar mummified remains. As Hor-Shep-Sut awakens from her centuries-old slumber to pursue her long lost love, viewers can rest assured that she will certainly have her fair share of erotic encounters before meeting her ultimate fate.